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| OSCILLATORS | Two analog VCOs per voice |
| Continuously variable wave shape (sine, sawtooth, variable-width pulse) per oscillator |
| Hard sync: oscillator 1 syncs to oscillator 2 |
| Square wave sub-octave generator (oscillator 1) per voice |
| Keyboard tracking on/off for each oscillator |
| Front-panel FM (frequency modulation) |
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| MIXER | Oscillator 1 amount |
| Oscillator 1 sub-octave amount |
| Oscillator 2 amount |
| White noise/pink noise amount |
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| LOW-PASS FILTER | Four-pole, resonant, low-pass filter per voice, based on Prophet-5 Rev 4 design |
| Filter can be driven into self-oscillation with the Resonance control |
| Bi-polar filter envelope amount |
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| ENVELOPES | Two 5-stage envelope generators (ADSR + delay) with variable routing (filter, amplifier, auxiliary) |
| Velocity modulation of each envelope amount |
| Envelopes freely assignable to multiple modulation destinations |
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| LOW FREQUENCY OSCILLATORS | Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold) |
| Clock sync (internal or external MIDI clock) |
| Freely assignable to multiple modulation destinations |
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| DIGITAL EFFECTS | One dedicated reverb with damping, pre-delay, decay and tone |
| One multi-effect with stereo delay, BBD delay, tape delay, chorus, flanger, phaser, ring mod, vintage rotating speaker, distortion, high-pass filter |
| Dedicated Overdrive effect |
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| VINTAGE KNOB | Recreates the characteristics of vintage synthesizers by introducing parameter variations from voice to voice. |
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| AFTERTOUCH | Source: channel (mono) aftertouch with bi-polar amount |
| Aftertouch freely assignable to multiple modulation destinations |
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| CLOCK | Master clock with tap tempo |
| BPM control and display |
| MIDI clock sync |
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| ARPEGGIATOR | Up, down, up+down, random, assign modes |
| Syncs to MIDI clock |
| Re-latching arpeggiation |
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| SEQUENCER | Polyphonic step sequencer with up to 64 steps with ties and rests |
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| PERFORMANCE CONTROLS | Full-sized, semi-weighted, 3.5-octave premium Fatar keyboard with velocity and aftertouch |
| Spring-loaded pitch wheel with selectable range per program with independently adjustable upper and lower pitch wheel range transpose controls |
| Low-split mode creates two independent performance zones with different octave ranges |
| Hold switch latches held notes on |
| Polyphonic glide (portamento) |
| Unison (monophonic) mode with configurable voice count, from one to all five voices, and key modes |
| Factory switch: when off, the front panel is live; what you see is what you hear |
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| PATCH MEMORY | 128 user and 128 factory |
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| IN/OUT | 1 MIDI In, 1 MIDI Out, and 1 MIDI Thru port |
| USB port for bidirectional MIDI communication |
| 1 Sustain/footswitch input |
| 1 Expression pedal input |
| Main stereo output (2 x 1/4″ phone jack) |
| Headphone out (stereo 1/4″ phone jack) |
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| POWER | IEC AC power inlet for internal power supply |
| Operates worldwide on voltages between 100 and 240 volts at 50 to 60 Hz; 14 watts maximum power consumption |
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| PHYSICAL SPECS | Premium, 3.5-octave, semi-weighted Fatar keyboard |
| 25″ L x 12.75″ W x 4.4″ H (63.5 cm x 32.4 cm x 11.2 cm) |
| Weight: 17 lbs (7.7 kg) |
