Microphones
Enregistrement
Idées cadeaux pour musiciens
À propos de JHS Pedals
JHS Pedals a été fondée par Joshua Heath Scott à Jackson, Mississippi. Il a commencé par réparer et modifier ses propres pédales, puis a vendu des pédales modifiées au magasin de guitare local avant de concevoir les siennes. Parmi ses premiers modèles figuraient l'overdrive Morning Glory et le compresseur Pulp 'N' Peel. En 2009, Scott a déménagé l'entreprise à Kansas City, Missouri, pour finalement s'étendre à 10 employés. JHS a sorti le delay analogique Panther en 2011, ainsi que l'overdrive SuperBolt et le booster/buffer/enhancer Prestige en 2012.
En 2015, JHS a collaboré avec Keeley Electronics pour produire un compresseur et une pédale d'overdrive combinés, le Steak and Eggs.
En 2018, Scott et Nick Loux ont publié le premier épisode de The JHS Show, un blog vidéo sur l'histoire, les produits et les inventeurs des pédales de guitare ; Le personnage de Scott à l'écran a été décrit comme "le Bill Nye le scientifique rencontre Mister Rogers de la guitare".
Les produits JHS Pedals les plus vendus
JHS Pedals “PANTHER ANALOG TAP DELAY”
De Jhs:
True Bucket Brigade delay that has the tone and options to cover any style, any use and any player. The Panther Delay is our most anticipated pedal to date with it’s groundbreaker feature set including “tap tempo control” that lives within one “full second of delay time”. The foot-switchable “effects loop” allows you to place any effect or effects that you want on the repeats only. Another option is the four section “ratio control” to give you quarter, dotter eighth, eighth and triplet divisions. The built in “modulation” gives you shimmery Deluxe Memory Man type vibe and can work with tap enabled. The Panther is the first to do this! Our “chirp switch” gives you two flavors of analog: one is bright and chirpy like the vintage Boss DM-2 or Way Huge AP-1 while the other is darker and more in the background. As the user you have the ability to program an “expression control” to your favorite knob to use on the fly with no bending down required! The “Tap IN/OUT” jack lets you remotely tap in a tempo or slave another tap device for amazing live flexibility. All this and more is powered by a standard 9v supply, not a crazy hard to power voltage. Watch the brief VIDEO MANUAL / OVERVIEW movie below for an in depth explanation of all the Panthers features!
JHS Pedals “DOUBLE BARREL” DUAL OVERDRIVE
De Jhs:
This is our "Everything low-to-medium gain" pedal and it just got better!
The Double Barrel V4 is for the player who needs a versatile but transparent overdrive at medium and light gain levels. You won’t find face melting distortion here, but you will find overdrive with the character and stacking abilities to cover almost any tonal need.
The right side is our brand new Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created housed in a little green enclosure. The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones available than you ever thought possible. The Moonshine V2 has the same core tone as the Version 1 but we have added a new Clean knob to blend in the perfect amount of clean signal with your overdrive signal.
The left side of the Double Barrel is our best-selling Morning Glory V4 overdrive. Transparent and open tones are what lurk inside this circuit as well as the new hi-gain toggle with Red Remote capability. Just plug in the JHS Pedals Red Remote into the Remote Gain jack with a standard patch cable and you can switch the Gain toggle on the fly for even more tonal options. You now have five on-the-fly overdrive options to choose from in the Double Barrel V4!
When these two circuits are stacked, something magic happens. Tones that are original and fresh come with ease, as well as added exibility, due to the order switching toggle that lets you decide what pedal comes rst in the signal chain.
We are convinced that this is one of the greatest 2-in-1 pedals ever made... seriously. If you're having problems getting the tones you want, just grab the Double Barrel V4 and you’ll find out how easy it is to hit the target!
JHS Pedals “SWEET TEA V3”
De JHS:
The Sweet Tea V3 is our "Everything Medium-to-High gain 2-in-1” and it covers all the bases from light breakup, blues, rock, heavy grind and more.
The Sweet Tea V3 is for anyone who wants a versatile overdrive/distortion that covers all the bases you need plus more. You’ll find medium-to-high gain tones and the ability to stack for the perfect way to melt faces.
The right side is our brand new Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created housed in a little green enclosure. The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones available than you ever thought possible. The Moonshine V2 has the same core tone as the Moonshine Version 1 but we have added a new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal.
On the left side is our newest version of the Angry Charlie which is the Angry Charlie V3, one of our most popular pedals of the last few years. High gain JCM 800 type “Brown” sound tone that we believe is the most accurate Marshall tone ever put in a stomp box! It has volume, drive, and the full bass, mid, treble tone stack like you’d find on the amp. With the full tone stack and the amazingly accurate amp tones in this circuit you’ll be begging for more!
The Sweet Tea V3 features our classic order switching toggle so that you can choose which circuit is first in the chain for the perfect stacking tones you’ve been searching for.
With these tones combined or used separately, the Sweet Tea V3 is a gallon-and-a-half of overdrive that goes down easy on a summer night!
JHS Pedals “ALPINE REVERB”
Après avoir racheté Sky Pedals, JHS Pedals a repensé et amélioré le Cloud9 pour créer l'Alpine, une reverb complète avec un réglage Reverb qui agit comme mélangeur des signaux wet/dry, High qui est comme un filtre passe-haut pour assombrir ou éclaircir la reverb, Depth qui ajuste la taille ou l'espace de la reverb et Length qui modifie le temps d'arrêt de la reverb. Le footswitch Shift à droite active le bouton Shift qui agit comme un second réglage Reverb pour pouvoir passer de l'un à l'autre en temps réel. Une entrée TRS de boucle d'effet sur le côté permet d'appliquer un effet externe au son de la reverb en utilisant un splitter cable TRS. Un sélecteur interne permet permet d'activer cette boucle d'effet tout le temps ou seulement sur le canal Shift. Son bypass avec buffer restaure les pertes de signal et permet un arrêt progressif de l'effet.
JHS Pedals – PACKRAT – Distortion
Le PackRat est l’hommage ultime aux plus de 40 ans d’évolution des rongeurs et à son impact sur le son de la guitare. Des artistes de tous les genres ont utilisé les tons emblématiques de cette boîte noire sans prétention pour créer leurs sons, notamment Nirvana, John Scofield, Pink Floyd, Metallica, REM, les Eagles, Jeff Beck et Radiohead.
JHS Pedals Bonsai – 9-way Screamer
Pédale d'overdrive
9 modes d'overdrive Tube Screamer
7 circuits TS classiques et 2 Mods populaires
Fonctionnement analogique
True Bypass
Contrôles: Volume, Sustain, Tone
Sélecteur rotatif do mode Tube Screamer 9 positions: OD-1, TS-808, TS-9, MSL (série Power ou L), TS-10, Exar OD-1, TS-7, Keeley Mod Plus, JHS Strong Mod
Commutateur au pied Bypass
LED de statut
Boîtier en métal
Entrée et sortie sur Jack mono 6,3 mm
Aucune possibilité de fonctionnement avec pile
Nécessite un bloc d'alimentation 9 V DC (fiche cylindrique 2,1 x 5,5 mm, polarité négative à l'intérieur) optionnel non-fourni
Consommation inférieure à 100 mA
Dimensions: 121 x 56 x 41 mm
Poids: 260 g
Fabriquée aux USA
JHS Pedals “MUFFULETTA” – Distortion/Fuzz
De JHS :
In 1967 the legendary Mike Matthews started experimenting with circuits for the electric guitar, and by early 1969 he had created a circuit that has become one of the most legendary, collected and mythical pedals in the history of guitar effects. With 30+ versions made throughout its almost half a century lifetime, the Big Muff Distortion/Fuzz has personally pioneered the sounds of some of the biggest bands and musical movements in history. The Muffuletta is our tribute to the legend and story of one of the greatest pedals ever invented. Let’s take a look at what makes the Muffuletta the ultimate recreation of this circuit in a way that has never been done before.
The heart of the Muffuletta is the fact that it replicates five (yes five) classic Big Muff circuits from years gone by as well as a new and original JHS version for a total of six Muff models. All executed without any digital signal processing or digital emulation. When you choose a model, you are achieving analog tone that uses real components and values found in the original units. We have selected our favorite classic versions from the pages of history and made them available in one small format pedal that is easy to understand, operate and do what it should do… replicate rare, expensive, mythical and sought after versions of this circuit with ease.
Looking at the pedal, there are four controls: Volume, Tone, Sustain and Mode. The “Volume" control works just like any other volume control allowing you to adjust the overall output of the pedal to your taste. The “Tone” control lets you brighten or darken your overall tone. The “Sustain” control is best understood as a gain or distortion control as it gives more distortion to the circuit. The “Mode” control lets you choose from our six different versions of the Big Muff on the fly. Looking at the “Mode” control you will see six icons around the lower 50% of the knob. Let's take a look at each mode and why they made the cut to be in the ultimate Big Muff tribute.
JHS - "2015"
The JHS Muff is a JHS original take on the classic circuit. You will find this version more powerful, less compressed with a more haunting mid range. It is also the best for bass guitar.
73 Rams Head - “1973-1977 V2”
The 73 Rams Head gets its name for the strange little elfin looking face that appears on the lower right corner of the pedal. Over the years people nicknamed this unit based on the fact that is looks somewhat like a lamb or animal. It is best known for having a scooped mid range, less gain and being overall darker. Famous users include David Gilmour (main Pink Floyd recordings), Ernie Isley (Eisly Brothers), and J. Mascis (Dinosaur Jr.)
The Triangle - “1969-1970 V1”
The Triangle Muff gets its name from the triangle arrangement of the knobs on the original unit. It is best known for having more low-end response and being more articulate. Famous users include Santana, David Gilmour's Pete Cornish made pedal boards, John Lennon, Kevin Shields (My Bloody Valentine), and possibly Jimi Hendrix.
The Pi - “1977-1978 V3”
The Pi Muff gets its name from the instantly recognizable red Pi symbol on the top. This is not to be confused with the later redesigned NYC version released much later in 2000. It is best known for a more aggressive sound. Famous users include Frank Zappa, Billy Corgan (Smashing Pumpkins), Jack White, The Edge (U2), Beck, and Pete Townsend (The Who).
The Russian - "1999-2009 V8”
The Russian Muff gets its name from the “Made in Russia” text found on the back. It is best known for having less clarity and less low end. Famous users include Dan Auerbach (Black Keys), Chris Wolstenholme (Muse), and Robin Finck (Nine Inch Nails).
The Civil War - “1991-1993 V7”
The Civil War Muff gets its name from the old style Civil War era font found on the enclosure as well as the navy and grey colors found on many. It is best known for having more mid range, brighter overall tone and less gain. Famous users include Thurston Moore (Sonic Youth), John Fogerty, Jeff Tweedy (Wilco), Mike Mills and Peter Buck (REM).
The Big Muff has an amazing history and has been used by some of the most influential guitarists ever. Never before has there been a single pedal that gives you all these different eras of it’s tone. We are convinced that the Muffuletta can fit in anyone's rig who loves dirt, distortion and fuzz, and we think it will be hard for you to disagree once you plug it in and play.
With a pedal so stuffed with tasty tones you will have a hard time needing anything else to curb your appetite.
"I want to give a massive thank you to my good friend Jon Cusack and Cusack Music for helping this hefty idea be fully realized. Jon y
JHS Pedals – SPACE COMMANDER BOOST / CHORUS / REVERB
Le Space Commander vous apporte les sons spatiaux du CHORUS et de la réverbération vintage avec un puissant boost propre à bord. Avec des commandes simples et la possibilité d’utiliser chaque effet séparément ou d’engager les trois effets avec un seul piétinement, vous vous retrouverez pleinement aux commandes de votre exploration spatiale comme aucune autre! Alors, allons-y, prenons votre blaster spatial et préparons-nous au décollage.
JHS Pedals “PULP ‘N’ PEEL V4”
De Jhs:
The Pulp ‘N’ Peel V4 is the truly transparent compressor pedal you’ve been hoping for and much more. Its smooth-sounding parallel compression circuit offers you the power to blend in your ideal balance of compressed and uncompressed signal. You’re able to add a touch of grit to your tone thanks to the pedal’s Dirt mini toggle. Also, whether you’re a bassist sending your signal direct or a guitarist running the Pulp ‘N’ Peel on your pedalboard, the pedal’s ¼” and balanced XLR outputs have you covered. This compressor/preamp pedal sports a ton of tone-shaping power. So no matter what your compression needs, the Pulp ‘N’ Peel V4 is your go-to solution.
The exact compression you’ve been waiting for
We know how much effort you put into getting your tone exactly right. That’s why we worked extremely hard to ensure the Pulp ‘N’ Peel V4 maintains your instrument’s natural attack, has a very low noise floor, and adds a professional polish to every chord, lead line, and note that blooms out of your amplifier.
Improved detection circuit for smoother tones with added sustain
Active EQ control that cuts or boosts high end
Parallel Blend control balances your compressed and uncompressed signals
Warm studio-style grit to help you cut through
Whether you’re looking to warm up your sound in the studio or want to add some grind for the stage, flip the Dirt mini toggle and you’re there. Want to push your amp hard for even more grind? The V4 has been improved with greatly increased headroom and output on the volume control.
Dirt voiced to go from warm tone enhancement to gritty tonal foundation
Low-profile gain control is safely located on the side of the pedal
Works especially great on bass
Increased output works as a fantastic full-frequency boost
Onstage, in the studio, or anywhere else
No matter what electric instrument you play, we’ve outfitted the Pulp ‘N’ Peel compressor/preamp pedal with enough connectivity options to make it your go-to compressor in the studio, on your pedalboard, at home, or anywhere else.
Standard ¼” instrument input and output
XLR/DI balanced output for going direct to the board or interface (Try it on acoustic and bass!)
Ground-lift switch avoids unwanted signal interference
High-quality buffer switch allows true-bypass or buffered operation for driving long cable runs
JHS Pedals Emperor V2 – Chorus/Vibrato
Pédale de chorus/vibrato
Fonctionnement analogique
Bypass sélectionnable True/Buffered
Fonction Tap Tempo
Contrôles: Volume, Tone, Speed, Depth
Sélecteur de mode Chorus/Vibrato
Sélecteur de la forme d'onde de l'effet (sinusoïdale, rectangulaire, triangulaire)
Commutateur miniature interne pour sélection du Bypass (True/Buffered)
Commutateur au pied Bypass
Commutateur au pied Tap Tempo
LEDs de statut
Boîtier en métal
Entrée sur Jack mono 6,3 mm
Sortie sur Jack stéréo 6,3 mm (pour splitter le signal en Dry/Wet)
Entrée sur Jack stéréo 6,3 mm Expression/Tap-Tempo
Aucune possibilité de fonctionnement avec pile
Nécessite un bloc d'alimentation optionnel non-fourni (N° d'article 409939)
Consommation inférieure à 100 mA
Dimensions: 127 x 66 x 54 mm
Poids: 290 g
Fabriquée aux USA
