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Overview | |
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| 50 control knobs | |
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| 8 45mm sliders | |
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| 1 volume knob | |
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| 1 data encoder knob | |
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| Rubberised knob caps with spun metal discs | |
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| 55 function buttons | |
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| 2 Animate buttons plus hold button | |
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| OLED display | |
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| Kensington Lock | |
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| Power switch | |
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| IEC power supply connector | |
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| USB socket for system (MIDI comms only, no bus power) | |
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| MIDI In / Out / Thru | |
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| 2 1/4" jack sockets for continuous or switched pedals | |
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| 1 3.5mm jack socket for CV in | |
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| 2 1/4" jack sockets for left and right outputs | |
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| 2 1/4" jack sockets for left and right auxiliary outputs | |
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| 2 1/4" jack sockets for left and right inputs | |
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| 1/4" jack socket for headphone output | |
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| Metal chassis with American walnut wooden end cheeks | |
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| Metal magnetic inset end pieces | |
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Dimensions | |
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| Width | 998.5mm |
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| Depth | 92mm |
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| Height | 303.5mm |
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Software compatibility | |
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| Ableton Live Lite is included | |
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| Summit is a USB-MIDI class compliant device | |
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Power requirements | |
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| Maximum power consumption 1A | |
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Synth engine | |
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| 16 note polyphony (dependent on voices used per note) | |
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| 2-part-timbral | |
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| Layered, Split, Dual Bi-Timbral Modes | |
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| 5 Voice Modes - Mono, MonoLG, Mono2, Poly, Poly2 | |
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Per voice | |
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| 3 oscillators | |
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| 1 noise generator with HP filter control | |
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| 1 ring modulator | |
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| 2 LFOs | |
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| 1 amp envelope and 2 mod envelopes (ADHSR + looping) | |
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| 1 filter | |
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Waveforms include | |
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| Sine, tri, sawtooth, square / pulse, plus 43 wavetables of 5 waveforms per row | |
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Filter | |
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| 1 state variable OTA filter per voice | |
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| 12/24dB slope | |
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| Low-pass / band-pass / high-pass / dual filter (separation of each 12dB filters) | |
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| dual filter: LP > HP, LP > BP, HP > BP, LP + HP, LP + BP, HP + BP, LP + LP, BP + BP, and HP + HP | |
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| Pre-filter overdrive | |
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| Post-filter distortion | |
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Modulation | |
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| 16 modulation slots per patch | |
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| 2 sources per destination per slot | |
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Mod sources | |
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| Direct (depth) | |
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| Modulation wheel | |
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| Aftertouch (polyphonic and channel AT) | |
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| Expression pedal 1 | |
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| Expression pedal 2 | |
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| Keyboard velocity | |
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| LFO1 positive | |
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| LFO1 bi-polar | |
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| LFO2 positive | |
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| LFO2 bi-polar | |
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| Amp envelope | |
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| Mod envelope 1 | |
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| Mod envelope 2 | |
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| Animate 1 | |
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| Animate 2 | |
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| CV mod input bi-polar | |
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| Bend Up | |
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| Bend Down | |
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Mod destinations | |
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| Oscillator 1-3 frequency, v-sync level, shape amount and level | |
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| Noise source level | |
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| Ring modulator output level | |
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| Overall synth output level | |
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| Filter drive, distortion, cut-off frequency and resonance | |
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| LFO 1 and 2 frequency | |
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| Amp env / mod env 1 / mod env 2 attack, decay and release | |
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| FM Osc 1 -> osc 2, osc 2 -> osc 3, osc 3 -> osc 1 and noise -> osc 1 | |
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| Osc 3 -> filter cutoff frequency | |
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| Noise -> filter cutoff frequency | |
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Effects | |
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| FX are per part | |
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| Analogue distortion | |
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| 3 chorus types | |
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| Delay with 16 types of delay sync, LP and HP damping, slew and stereo | |
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FX Mod Matrix source | |
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| Direct (depth) | |
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| Mod wheel | |
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| Aftertouch | |
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| Expression pedal 1 | |
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| Expression/breath pedal 2 | |
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| Velocity | |
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| Keyboard | |
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| LFO 1 +/- | |
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| LFO 2 +/- | |
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| LFO 3 +/- | |
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| LFO 4 +/- | |
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| Amp envelope | |
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| Mod envelope 1 & 2 | |
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| Animate 1 & 2 | |
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| CV +/- | |
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| Bendwheel +/- | |
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| Bend up | |
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| Bend down | |
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FX Mod Matrix destinations | |
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| Distortion level | |
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| Chorus level | |
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| Chorus rate | |
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| Chorus depth | |
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| Chorus feedback | |
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| Delay level | |
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| Delay time | |
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| Delay feedback | |
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| Reverb level | |
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| Reverb time | |
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| Reverb low pass | |
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| Reverb high pass | |
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Misc. | |
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| FM controls on front panel | |
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| Global LFO 3 & 4 | |
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| Arpeggiator with key latch – 33 patterns | |
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| Patch storage - up to 512 on hardware (ships with 256 factory patches) | |
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| All knobs (excl. volume), sliders and most buttons transmit and receive MIDI cc commands for external control and mapping | |
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| Microtuning with Scala table import and table tuning creation | |
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| Manual mode | |
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| Multi pot mode: Relative, Pot pick-up, Snap | |
