Dynamic performance mic with superior Vocal Tone and Feedback Rejection 4 user-assignable Mic Control™ buttons for creative FX control Backlit display for preset number and HIT status CONTROL YOUR PERFORMANCE With advanced Mic Control™, you choose what your four buttons control, when to activate effects and where on stage to trigger those moments. Want to switch to a new preset for the chorus? Add effects to your loop? Punch in a custom tone on your second verse? You can do it all - and so much more. UNDER THE GRILL The MP-76 rejects what you don’t need in the signal – focusing solely on the power of your voice. This is because its been specially designed to deliver the best off-axis feedback suppression in its class, as well as rejection of pitched sources nearby that can impact Harmony and other pitch-sensitive effects. CHOOSE YOUR WEAPON The magic of the MP-76 is activated by these TC-Helicon Vocal Processors: VoiceLive 3, VoiceLive Touch 2, VoiceLive Play, Play Electric, Play Acoustic, and VoiceSolo FX150. If you haven’t yet joined the TC-Helicon user fraternity, welcome! It’s fun here. NEW LCD FX DISPLAY The backlit LCD display lets you know what preset you’re on and the status of the HIT function. The number of wired microphones that have a lit display onboard can be counted on one hand – minus four fingers, of course. The MP-76 is it! NO BATTERIES REQUIRED Unlike voltage-hungry wireless mics, or other types of remote audio gear, you’ll never have to worry about, change, or throw away a battery ever again. All this FX capability is achieved with a standard mic cable; the microphone itself is powered simply by the trickle of phantom power sent from your TC-Helicon processor.
The Shure Beta 87A is a premium quality supercardioid hand-held electret condenser vocal microphone with exceptionally smooth frequency response and high sound pressure level capability.
The Shure Beta 58A® is a high-output supercardioid dynamic vocal microphone designed for professional sound reinforcement and project studio recording. It has become a leading choice among vocalists and touring professionals worldwide. The Beta 58A maintains a true supercardioid pattern throughout its frequency range. The Beta 58A has a shaped frequency response that is ideal for close-up vocals. The superb performance of this microphone is not affected by rough handling because of its rugged construction, proven shock mount system, and hardened steel mesh grille.
The Shure Beta 52®A is a high output dynamic microphone with a tailored frequency response designed specifically for kick drums and other bass instruments. It provides superb attack and "punch", and delivers studio quality sound even at extremely high sound pressure levels. The Beta 52A features a modified supercardioid pattern throughout its frequency range to insure high gain-before-feedback and excellent rejection of unwanted sound. A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. The stand adapter keeps the microphone position fixed and resists slipping, even when subjected to sharp blows and strong vibrations. A hardened steel mesh grille protects the Beta 52A from the abuse and wear associated with touring.
With two earphones for stereo sound and a neodymium dynamic microphone for accurate vocal pickup, the ATH-COM2 is ideal for hands-free computer and multimedia applications. The flexible mic boom, cushioned ear pads and lightweight design provide added convenience and prolonged listening comfort. The open-back dynamic headset features a frequency response of 30 to 20,000 Hz, a sensitivity of 90 dB and a maximum input power of 50 mW.
The D 112 has earned a well-deserved reputation worldwide as the best kick drum microphone ever made. Heavy-footed drummers won’t faze it, because the D 112 handles up to 160 dB SPL with no audible distortion. A specially engineered diaphragm with a very low resonance frequency maintains solid and powerful response below 100 Hz, while a narrow band presence rise at 4 kHz punches through dense mixes with little or no added EQ. The result is a kick drum sound that ideally balances precise definition and forceful impact. The D 112 is also an excellent choice for use with bass cabinets, trombones, etc. Built in windscreen, SA 60 stand adapter included.
An unmistakable stage icon for 70 years, the Shure 55SH Series II Unidyne® Vocal Microphone features a signature satin chrome-plated die-cast casing for pure vintage look and feel with modern acoustic components to meet today's performance standards. This microphone is excellent for vocal pickup with its characteristic Shure presence peak. The 55SH Series II microphone has a cardioid (unidirectional) polar pickup pattern that minimizes sound pickup from the rear of the microphone. This allows the Model 55SH Series II to be used in close proximity to loudspeakers without creating feedback problems, and it can perform under adverse acoustic conditions where omnidirectional microphones cannot.
The AKG Rhythm Pack Drum Microphone Pack contains one AKG D112 for kick drum, two AKG C430 for overheads and three AKG D40 for toms and snare.The AKG Rhythm Pack includes a protective aluminium carrying case for your 6 microphones, clamps and a spare space for another microphone!
The P3S microphone is ideal for backing vocals, guitar, wind instruments and many other applications.
The D 5 dynamic vocal microphone for lead and backing vocals delivers a powerful sound even on the noisiest stage. Its supercardioid polar pattern ensures maximum gain before feedback. The D 5 stands for a crisp sound that cuts through every mix. AKG made the first microphone diaphragm ever whose thickness varies across its diameter. The new Laminated Varimotion diaphragm deep-drawing process allows the diaphragm itself to be fine-tuned with no extra tuning resonators, leading to a quantum leap in audio performance. The dual shock mount eliminates any kind of mechanical noise for trouble-free live use. The audience will hear nothing but the pristin
A natural in high-SPL applications, the PRO 25ax is tailored for kick drum, percussion, brass, and other highly dynamic instruments. It delivers a warm low-frequency response with excellent presence. Its hypercardioid polar pattern improves isolation of the sound source, delivering superior off-axis rejection for maximum gain before feedback. The included isolation clamp offers versatile mounting options and effective dampening of mechanical noise.