Reverb is an essential element in nearly any rig. Whether you’re adding dimension to your sound or drenching your signal in sparkling reflections, our Marine Layer Reverb can do it all. Multiple reverb types, including classics like Hall and Room along with modern marvels like Shimmer, make this an indispensable pedal in your signal chain. The reverb tails continue when the effect is muted, ensuring a smooth and natural decay. Hall, Room and Shimmer reverb types Reverb tails continue when effect is muted LED backlit knobs Fender Amp Jewel LED Magnetically latched hinged 9V battery door Lightweight durable anodized aluminum construction
A compact, affordable pedal packed with advanced functionality and 11 reverb styles ranging from essential to exotic. Splash your tone with subtle ambience using classic Hall and Plate, or drench your guitar in surreal soundscapes with Shimmer and Modulation. A newly developed Spring algorithm faithfully emulates the iconic drip of vintage Fender reverb units. Unique and powerful polyphonic, dynamic, and auto-triggering reverbs inspire radical experimentation. Instantaneous control of infinite reverb unleashes a torrent of sonic possibilities for a truly unparalleled reverb experience. The Oceans 11's reverbs are: 1. HALL - the rich reverberant sound of a grand concert hall 2. SPRING - pays homage to the classic Fender 6G15 tube spring reverb 3. PLATE - the lush, warm reverb that got its name because a large metal plate was originally used to create it 4. REVRS - emulates the quirky reverse reverb effect where a note's reverb fades-in backwards. (Jimmy Page claims to have invented it.) 5. ECHO - sends a recirculating echo thru the Plate reverb. The crisp clear delays get tastefully smudged by the airy plate reverb 6. TREM - reverb plus tremolo that's applied to both the wet and dry mix of a Hall reverb, your choice of three different tremolo shapes 7. MOD - modulated reverb, three modes. Chorus laced onto the reverb tails creates a luscious atmospheric effect. Flanger wraps around the reverb tails and weaves a hypnotic tapestry. Chorus and flanger combined. 8. DYNA - Swell, gate and duck. Swell silences your notes' attacks before blooming the tails back into the soundscape. Gate passes the reverb tail thru a noise gate that opens when it detects playing. (Phil Collins popularized the technique by applying it to drums.) Duck compresses the reverb tail while you're playing and fades it back in when you're resting. 9. AUTO-INF - Auto-infinite reverb that triggers a reverb wash for each note or chord. When a new one is struck, the previously resounding reverb crossfades to the new one 10. SHIM - Shimmer generates a rich octave-shifted reverb wash that modulates and blossoms behind your signal 11. POLY - Polyphonic reverb, two configurable bi-directional pitch shifts operating on your pre-reverb signal. Combine dissonant intervals with near infinite decays to create disorienting soundtracks, or choose perfect/major intervals to generate creative harmonies when jumping around a key signature Key Features INFINITE REVERB makes the active reverb play in the background indefinitely while granting access to a fresh, independently controllable reverb of the same type. MODE BUTTON lets the user select up to three variations of many of its reverbs for greater variety. SECONDARY KNOB FUNCTIONALITY allows you to take even more control over the tone of each reverb by accessing "hidden" parameters through Secondary Knob Mode. Use the secondary knob parameters to fine tune the exact tone you want, or push the OCEANS 11 into wild, unexpected sonic territory. INTERNAL TAIL SWITCH provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a fresh reverb effect complete with adjustable parameters! Quick Specs 11 different reverb types Comes with a standard EHX 9.6DC 200mA PSU Dimensions (w x l x h): 2.75" x 4.5" x 2.1" (70 x 115 x 54mm)
The MXR Reverb delivers six distinct high end reverb styles, each exquisitely crafted and tuned by the award-winning MXR design team. It all comes in a standard-sized MXR box with a simple three-knob setup and a hi-fi analog dry path with a massive 20 volts of headroom thanks to Constant Headroom Technology™. Each reverb style is as richly detailed as any found in the highest-end rack units and plug-ins, and all you have to do to step through them is push the Tone knob. The PLATE setting provides a shimmering smooth wash of space that’s a go-to choice from the studio recording world. SPRING sets a new standard for truly authentic sounding reverb without coiled metal—a perfect recreation of the classic amp-based effect, with the Tone control taking you from dark vintage amp spring, through classic jangle, to bright surfy splatter. EPIC is a unique combination of multiple interwoven analog-tone delay lines and complex modulation—perfect for solos from that more shaded part of the lunar landscape. MOD throws down a plate-flavored spaciousness with richly organic modulation in the feedback path. The ROOM style adds subtle body and projection to your guitar tone at shorter decay times while longer decay times yield rich organic space that doesn’t wash out. PAD closes out the line-up with a unique combination of sub-octave + octave-up with echoes + "shimmer" + synth/organ modulation + reverb. Connect a Dunlop DVP series volume/expression pedal to the expression jack to toggle and blend between two different knob setting configurations. The Reverb includes 100% wet mode, stereo input and output capability, and true relay or trails bypass.
Featuring seven inspirational Lexicon® reverbs, the DigiTech® Polara will be the new architect of your soundscape, defining space and adding dimension to your playing. The Polara’s flexible reverbs cover a full spectrum, from the intimate warmth of “Room”, to the vast expansiveness of “Hall”, through time with the cosmic power of “Reverse”, and anchored by Lexicon’s revered “Modulated”, “Plate” and “Spring” reverbs. In addition to those classics, the Polara introduces the new “Halo” reverb. The “Halo” reverb with cascading octaves interspersed in the reverb decays will cast a heavenly glow over your tone. With its new, compact size and vacuum-style footswitch, the Polara truly represents the latest evolution in DigiTech pedal design. We’ve put years of experience into every detail of its mechanical and sonic blueprint. The Polara offers independent Level, Liveliness, Decay and Type controls; Stereo Inputs and Outputs; a Soft Click Footswitch; and a Reverb Tails On/Off Toggle Switch. It is true bypass and uses a 9V DC power supply to easily integrate into your existing pedalboard.
OCÉANS 12 DUAL STEREO REVERB A reverb processing powerhouse! The EHX Oceans 12 is the Oceans 11’s big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.
The Grand Canyon is EHX’s most advanced multifunction delay and looper pedal. It’s equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon’s effects. - Advanced multifunction delay and looper with up to three seconds of delay time - 12 effect types that cover a ton of tonal real estate to fuel your creativity: ECHO, MOD, MULTI, REVERSE, DMM, TAPE, REVERB, PITCH, SHIM, SAMPLE/HOLD, DRUM, DOUBLER - Tails feature. Select whether the echoes fade out naturally or stops immediately when the pedal is switched to bypass mode - Tap tempo with nine tap divide subdivisons - Up to 16 minutes of recording time on the fully featured looper - Loop audio remains in the Grand Canyon until you erase it, even after removing power - 13 presets can be saved or recalled - 3-button footswitch connector for remote operation - EHX 9.6VDC-200mA power supply included - Current Draw: 150mA @ 9VDC - Dimensions in inches: 4.75(w) x 4(l) x 2.25(h) - Dimensions in mm: 121(w) x 102(l) x 57(h)
El Castillo is an arpeggiating reverb that takes pitch-bent reverb to an entirely new level. It uses a unique combination of 3 circuit blocks (reverb, pitch-shift, and delay) to create a highly experimental, ambient reverb. REVERB – The reverb block is the heart of the pedal. It uses the same high quality reverb brick found in my other reverb pedals. It has two controls: “Level” and “Regen.” The “Level” control increases the amount of wet signal, without effecting the dry signal. The “Regen” control controls the amount of signal fed through the feedback loop. Turing up the “Regen” knob will increase the decay and also the number or arpeggiations. PITCH-SHIFT – The pitch-shift block is located in the feedback loop of the reverb. Adding a pitch-shift to the feedback signal creates a “stair step” effect. Each time the signal travels through the feedback loop, it will shift the pitch of the wet signal up or down. The pitch shifting section is controlled by the “Quantize” mode switch and the “Pitch Knob” (small, middle knob). More info below about the mode switch. DELAY – The delay block is also located inside the feedback loop. It is a simple, single repeat delay that can range from 0-800ms. This feature causes the signal to delay going through the pitch-shift block. With the delay time set at minimum, the stair stepping effect happens very quickly. As you increase the delay time, the pitch intervals are stretched out and it creates a very gradual pitch arpeggiation. The delay length is determined by the “Stretch” knob. MODES - El Castillo has 2 modes of operation: Un-Quantized and Quantized. The toggle switch selects the mode and determines the function of the “Pitch” knob. ---In the “Un-Quantized” mode (toggle to the left), the pitch knob has a free-range and can select any pitch interval between -1 octave and +1 octave. At 12 o’clock, there is zero pitch-shift. ---In the “Quantized” mode (toggle to the right), the pitch-shift is locked to -1 octave and +1 Octave. Turning the pitch knob crossfades between the two octave shifts to allow both to be heard at once or separately. Turning the knob fully to the left provides only octave down intervals. Turning the knob to the right provides only octave up intervals (traditional shimmer). At 12 o’clock, there is a 50/50 blend of octave up and octave down intervals.
Spring has come and we here at JHS bring you the washed out layers that only true amp style spring reverb can give you in the Spring Tank. This compact reverb pedal brings you an arsenal of settings to tweak, yet with utilitarian simplicity and usability. The Spring Tank gives you the ability to create the perfect spring reverb for your sound with controls for Depth, Length, Highs, Boost (to control your overall volume), and two independent and switchable reverb mixes called Tank 1 and Tank 2. The Depth controls the size of the room, while Length controls how long the reverb reverberates. Highs gives you the ability to control the tone of the reverb by adding or subtracting high frequencies. Tank 1 acts as your main reverb mix control, while Tank 2 is your secondary mix control engaged by the Tank 2 switch. So you have two reverb mix options on the fly! We’ve also added a Boost control so you can regain any perceived volume loss from the reverb. Dial in the perfect reverb with Depth and Length controls. Set your primary reverb mix with the Tank 1 control. Set your secondary reverb mix with the Tank 2 control and switch it on the fly with the Tank 2 switch. Set the reverb tone with the highs control. Boost your overall volume with the Boost control. The Spring Tank has an effects loop so you can put any effect on the reverb tails only. This gives you the ability to create amazing soundscapes with different effects. Just plug in a TRS splitter cable into the effects loop jack and insert any pedal into the loop and you're set. There is also an internal switch to choose to have the effects loop on only when Tank 2 is engaged or on all the time. With options a plenty and easy to use controls, blast your signal into the stratosphere with the Spring Tank!
Analog Reverb Emulator with Clean Boost and Trails (v2) Tech 21 brings a fresh perspective to the standard reverb pedal. By incorporating a clean Boost function, up to 9dB, your solos will jump out with greater dimension. The Boost RVB is designed with user-tweakable, “lo-fi” analog technology. By manipulating the controls, you can infuse degrees of warmth and life characteristic of vintage reverbs. The circuitry intentionally injects the inherent imperfections of vintage units, which is what makes them so seductive and nostalgic. A single, continuously-variable Time control provides a full sweep of size. The Boost RVB parameters are engineered so that you can explore and custom tailor such reverb styles as spring, plate and natural room/hall ambiance.
Combining high-end sound and wide-ranging versatility, the RV-6 takes pedal-based reverb to the next level. Reaching beyond the capabilities of previous generations, this powerful stomp employs the latest tech and legendary BOSS know-how to make it easy to get amazing reverb tones instantly. From subtle rooms to modern shimmer effects to long, evocative reverbs, the RV-6 envelops your tone in lush ambient spaces that endlessly inspire. Packing the latest BOSS DSP and updated algorithms, the RV-6 gives you eight highly musical reverb effects in one compact pedal. Add body and depth to your core tone with standards like Room, Hall, and Plate, dial up swirling richness with the Modulate setting, or surf it up with a vintage-style Spring reverb. Dynamic mode automatically adjusts the effect depth to your playing touch, providing deep, immersive reverb that won’t turn your tone to mud. And modern players will love the new Shimmer and Reverb+Delay modes. The RV-6 makes getting high-quality reverb sounds with your guitar quick and easy—just select a sound mode, tweak the knobs to taste, and play. But while its operation is simple, the RV-6’s sound is rich and sophisticated. Under the hood, each mode includes a huge array of detailed reverb parameters, all perfectly tuned for guitar by the BOSS engineers with direct input from many pro players and sound engineers. Even as you adjust the selected mode with the Time and Tone knobs, many parameters are simultaneously adjusted inside to create the ideal voicing for every setting. While the RV-6’s reverb effects are high-tech digital, you can rest assured that your straight guitar tone always remains pure analog as the effect is blended in. Convenient auto-switching jacks let you integrate with any pedal chain, with support for mono, mono-to-stereo, and stereo-to-stereo operation. And by plugging into the B input only, the RV-6 outputs a 100-percent wet sound, great for working with more complex rigs that employ parallel processing chains and mixers. There’s also a jack for connecting an optional expression pedal, allowing you to control the effect level in real time as you play.
Your quest for an ultra pedalboard-friendly stompbox that includes plate reverb is fulfilled with the Holy Grail Neo. Divine Hall and classic Spring reverbs complete the heavenly mix and give you three of the most sought after reverb styles. The three-position switch lets you choose and the Reverb knob acts as a wet/dry control. The Holy Grail Neo is equipped with True Bypass to ensure maximum signal path integrity when the effect is in bypass mode and comes with a standard EHX9.6DC power supply.
In a world full of reverb pedals we are proud to offer up a highly tweak-able, versatile, inspiring and cost effective solution for any situation your gig might throw at you. The heart of the Alpine's design is the idea that you can have a reverb pedal that is straight forward, easy to use, but also extremely powerful in its functions all while still very approachable without requiring a degree in computer engineering to dial in a great sound.
The Turnip Greens is a compact multi-effect pedal combining the award-winning Soul Food Overdrive and Holy Grail Max Reverb. The Soul Food delivers transparent sounds starting with clean boost and progressing all the way to intense overdrive. It’s equally adept at adding punch to a player’s tone, pushing an amp into saturation or in front of other dirt pedals driving them into new worlds of distortion. The Holy Grail Max provides four carefully crafted reverbs: Spring, Hall, Plate and Reverse. A newly designed analog wet/dry control yields a constant volume curve as the Blend knob is turned from fully dry to fully wet, while also keeping the dry signal analog through the pedal. The pedal’s left side features the Holy Grail Max’s controls and independent footswitch while the right side is dedicated to the Soul Food’s controls and footswitch. A toggle effect-order switch, located in the middle of the Turnip Greens, selects whether the overdrive or reverb is first in the effects chain. Send and Return jacks let the player insert effects into the signal path between the two. With the switch to the right the signal chain is Soul Food → Holy Grail Max which produces a traditional sound familiar to most players. In the left position the signal chain is Holy Grail Max → Soul Food. Now the reverb is boosted by the overdrive which, when used in conjunction with pedals in the effects loop, can create very lush textures. The Turnip Greens features an internal switch that lets the player select between true bypass or buffered bypass for the Soul Food section. In true bypass mode, when the Turnip Greens is set to bypass, the input jack is connected directly to the amp jack and nothing else. In buffered bypass mode, the bypass signal passes through a high-quality buffer circuit before it is output from the Amp jack. The new Turnip Greens comes standard with an EHX 9.6-Volt/DC200mA AC Adapter.
ONE REVERB TO ROCK THEM ALL - Miniature Version of TC Electronic’s Very Best Reverbs Space. The Final Frontier Reverb is very much about space, but then again so is your pedal board. So what if we could combine unlimited space for your reverbs with a miniature footprint? What? You'd be partying on for days? Well break out the confetti, because it's here! Room for choice - all of TC's best reverbs available via TonePrint TonePrint Enabled Ultra-small footprint
The Holy Grail Max shares the Holy Grail’s remarkable Spring and Hall reverbs. Then we added a Plate reverb, with its wonderfully lush tone, and Reverse reverb for the sonically adventurous. The Max’s multi-function control lets you adjust decay or reverse time. With the Holy Grail Max your quest for the perfect, portable reverb pedal is answered.