Are you on the search for scary good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, we here at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective Sweepable-Mids EQ Preamp that can turn any amp or pedal into a ghastly monster. With it’s ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. The controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped. Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies. The Sweep knob controls the what frequencies will be affected. Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected. The Lo/Hi toggle is like a "Q" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob. "Lo" is a softer and wider peak for slightly subtler affect as you tweak the Mids/Sweep knobs. "Hi" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids/Sweep knobs. This pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every "djent," blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig. The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost. – Simple yet effective tool to boost/cut the perfect amount of midrange frequencies. – Sweepable midrange frequency to find the perfect EQ to slice through any mix. – Turn any amp or pedal into a totally different ghastly monster. – Don’t forget the Volume BOOOOOOst. So go and wake the undead with the ghostly sounds of the Haunting Mids! SPECS - Will boost +10dB with EQ flat - Total Harmonic Distortion 0.007% - Signal to noise ration 83dB - +/- 15dB boost or cut - Sweepable center frequency from 400Hz to 7.5kHz - Switchable Q (LO-gentle broad, HI-peaking tight) This pedal requires standard 9V DC Negative power, consumes 13mA, and measures 2.6"x4.8"x1.6"
M108S The MXR Ten Band EQ lets you tune your bass or guitar rig in seconds, and it's been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs, and a second output. THE LONG STORY. The MXR Ten Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, a lightweight aluminum housing, brighter LEDs for increased visibility, and a second output so you can run two separate signal chains. With ten carefully chosen frequencies and both input and output level controls, the Ten Band EQ will let you tune your bass or guitar rig to any room in seconds-create earthshaking low-end; restore punch, level, and treble response to a crowded pedalboard; warm up an amplified acoustic; and much, much more. For ultimate tone-sculpting ability in a bullet-proof enclosure, put the Ten Band EQ on your pedalboard.
The MXR Six Band EQ has been upgraded with noise-reduction circuitry, true bypass switching, brighter LEDs for increased visibility, and a lightweight aluminum housing. It covers all the essential guitar frequencies, with each slider ready to deliver +/-18dB of cut or boost for incredible control over your sound. The Six Band EQ can create scooped-mid rhythm tones with massive low end, add natural sounding warmth to a quacky acoustic pickup, eliminate onstage feed-back, and much more. You can also use the Six Band EQ in the effects loop of your amp for a huge, sculptable lead boost.
- Class-leading sound quality with 32-bit AD/DA, 32-bit floating point processing, and 96 kHz sampling rate
- Dual 10-band EQs that can be used in stereo, parallel, or series
- Insert function for processing external effects with pre and/or post tone shaping
- Three different range settings: 30 Hz to 12.8 kHz, 32 Hz to 16 kHz, and 28 Hz to 14 kHz
- 15 dB boost/cut on each band, plus overall level control for each channel
- Stereo link function for operating both EQ channels together
- Intuitive interface with hands-on sliders and graphic EQ display
- Access 128 user setups from the panel or MIDI program change
- Recall consecutive memories plus real-time panel setting via footswitch or dedicated panel button
- Panel Lock function disables controls to prevent unwanted changes
- Two onboard footswitches with customizable assignments
- Support for expanded control via external footswitches, an expression pedal, or MIDI
- Full MIDI I/O provided with mini TRS jacks (BMIDI-5-35 adaptor cable available separately)
- Micro USB jack for firmware updates
- Runs on PSA-series AC adaptor or three AA-size batteries
PRO-DEQ-AFX The complete performance solution for the acoustic musician With a high-quality preamp, dual effects section, tone controls, a compressor, level booster and a balanced DI — it’s got everything you need in one box. Pure Analog Circuitry Its analog signal path goes from end to end – from preamp to output – to give acoustic musicians a richer tonal quality. Even the digital effects are mixed in parallel so they don’t affect the purity of the your acoustic instrument. Fully Balanced Stage DI Flexible outputs include a 1/4 inch amplifier output and XLR DI output for the lowest noise possible. Plus the DI features automatic ground-lifting and selectable pre/post EQ settings. Discrete Class A Preamp With Fishman, you get quality discrete Class A signal conditioning created by the leader in instrument preamp design. The high impedance input is a must for any passive instrument pickup. Advanced 4-Band EQ Legendary 4-band equalizer design provides superior tone control for any acoustic instrument. The variable low cut filter controls sub-bass effects produced by some passive pickups.