The JHS Pedals Pink Panther is back! This unabashed digital delay draws its roots from our very first delay pedal, way back in 2007-2008. Staying true to our goal of bringing you a highly versatile, simple, and unique line of delay pedals, we outfitted the Pink Panther with a Tape Delay setting, tap tempo, modulation, and enough control to make it your go-to delay pedal on any gig. When it comes to the JHS Pink Panther, the saying, “What’s old is new again” seems fitting. But then again, the Pink Panther never really gets old.
There’s no denying the power of a good delay; ranging from subtle to smashing, this ambient effect is one of the cornerstones of modern music. The Mirror Image Delay brings this atmospheric effect to your rig, giving you the ability to create depth with a simple slapback or develop an epic soundscape with modulated repeats. Digital, Analog, and Tape modes—each with two voicing variations—make this expressive and inspiring pedal indispensable. It even has the option to add a dotted-eighth note for those Irish-inspired washes of sound. The delay tails continue when the pedal is bypassed, ensuring a natural sound. Digital, Analog and Tape delay types Option to add dotted-eighth note LED backlit knobs Fender Amp Jewel LED Magnetically latched hinged 9V battery door Lightweight durable anodized aluminum construction
The Grand Canyon is EHX’s most advanced multifunction delay and looper pedal. It’s equipped with 12 effect types plus a fully featured looper capable of recording and overdubbing the Grand Canyon’s effects. - Advanced multifunction delay and looper with up to three seconds of delay time - 12 effect types that cover a ton of tonal real estate to fuel your creativity: ECHO, MOD, MULTI, REVERSE, DMM, TAPE, REVERB, PITCH, SHIM, SAMPLE/HOLD, DRUM, DOUBLER - Tails feature. Select whether the echoes fade out naturally or stops immediately when the pedal is switched to bypass mode - Tap tempo with nine tap divide subdivisons - Up to 16 minutes of recording time on the fully featured looper - Loop audio remains in the Grand Canyon until you erase it, even after removing power - 13 presets can be saved or recalled - 3-button footswitch connector for remote operation - EHX 9.6VDC-200mA power supply included - Current Draw: 150mA @ 9VDC - Dimensions in inches: 4.75(w) x 4(l) x 2.25(h) - Dimensions in mm: 121(w) x 102(l) x 57(h)
The Carbon Copy Deluxe Analog Delay features extended delay time with tap tempo functionality, optional modulation, a switch to toggle between the warm sound of the original pedal and vibrant sound of the Bright version, and much more. With extended delay time - now up to 1.2s - and tap tempo functionality, you now have more control over your Carbon Copy repeats than ever. The Tap Division feature, with an easy-to-read status display, gives you four different subdivisions: dotted 8ths, 8ths, triplets, and 16ths. On the tonal side, the Carbon Copy Deluxe Analog Delay lets you choose between the original's dark, mellow wash and the vibrant articulation of the Bright version with the push of a switch. To add further character and texture to your repeats, just hit the Mod switch and use the Speed and Width controls to shape the chorusing to your taste. Additional features include an expression jack for external control of various functions, programmable presets, and more. Inside the pedal is a Line Level/Instrument Level switch - which allows the pedal to be used either in front of the amp or in the FX loop - and a Dry Kill switch for a "wet only" effect that's perfect for studio recording. With true bypass switching, 9-volt battery operation, and MXR's famously rugged construction, the Carbon Copy Deluxe Analog Delay is a must-have for delay aficionados.
The new Flashback 2 serves up a sonic buffet of expressive delay by infusing the pressure sensitive MASH technology with our renowned delay algorithms. We completely redeveloped our Tape and Analog algorithms from scratch, recreating the tones of old school echoes with unheard realism, including every little eccentric behavior inherent in those legendary designs. We also squeezed in a shimmering Crystal delay, made with our own polyphonic octave algorithm from Sub 'N' Up into Flashback 2. And finally, with 3 TonePrint slots in total, you get more flexibility than ever, and all the legendary delay sounds that TC Electronic are famous for. Expressive MASH technology New Ultra-Realistic Tape and Analog Algorithms New Crystal Delay
Packed with more power than pedals taking up more real estate, the compact Canyon features a collection of awe-inspiring effects
From Caroline Guitar Company: If you’re reading this, you must be getting ready to party like it’s 1983. We’ve kept your original, dry signal path analog and pure, then given you a +21db boost/overdrive preamp to smash a low fidelity digital delay chip designed for karaoke machines and kids’ toys into smeared, repeated glory. Yeah, we’re going back in time – back to when they measured data in KILOBYTES! This pedal is VERY capable of fun runaway oscillations, both by turning up the summation knob, or a controlled, high-pass filtered oscillation from the Havoc momentary foot switch. If you’ve ever struggled to make your delays come through prominently in the mix, or lost definition from your original signal, the attack and level controls can allow you to dial up everything from crisp, clean slapbacks to dirty, muted echoes and loud, powerful repeats. A beautiful, subtle modulation circuit courtesy of our friend Jack DeVille also sweetens the repeats with just the right amount of movement. ATTACK adjusts the gain in the repeater preamp, allowing you to boost or overdrive the echoes. CLOCK sets the amount of delay time. SUM is the number of repeats; set this high and this pedal can run away and self oscillate. LEVEL is the overall volume of the repeats relative to your original signal. MODULATION controls a gentle amount of pitch shifting in the repeats. It was designed for us by our friend Jack DeVille at Mr. Black Pedals. HAVOC footswitch held down will allow the pedal to run away in a focused, less ‘woofy’ manner than simply turning up SUM. Releasing it will return to the level set by the SUM control.
Psychedelic music uses the imagination to filter how we understand this strange ad beautiful world we live in: through melody and noise,with echoes and ambience, with peace and love. The TAPE EKO is a smart echo pedal that embodies the soul of the classic tape echo sound. It provides three delay modes: Mode I, Mode II, and reverse mode. Mode I gives you all the advantages of a digital delay. Compared with other tape echo effects, this mode produces a brighter, cleaner tone with less noise, all without sacrificing warmth or dynamics. Mode II differs from Mode I in terms of dynamics. These tones are much more true to the traditional magnetic tape echo machine response. The reverse mode, which models a magnetic tape machine’s playback head operating backwards, shares the characteristics of Mode I: warm and natural while maintaining clarity – It will literally take you back in time.
Sporting a new look for 2015 with all of the same functionality, Tech 21 brings a fresh perspective to the standard delay pedal. By incorporating a clean Boost function, up to 9dB, your solos will jump out with greater dimension. The Boost DLA is designed with user-tweakable, “lo-fi” analog technology. By manipulating the controls, you can infuse degrees of warmth and life characteristic of vintage delays. The circuitry intentionally injects the inherent imperfections of vintage units, which is what makes them so seductive and nostalgic. A single, continuously-variable Time control provides a full sweep, up to 1000 milliseconds, of delay. The Boost DLA parameters are engineered so that you can explore and custom tailor such delay styles as digital, vintage tape and bucket brigade.
It shares all the powerful features of the 1100mS unit, except for its longer delay time. 550 stands for its maximum delay time in milliseconds and that’s the same spec as the classic Deluxe Memory Man. Tap Tempo guarantees you’re always in sync with the groove
Ever since being discontinued way back in 1984, the BOSS DM-2 Delay pedal has remained highly sought after by players everywhere for its warm, “bucket brigade” analog delay tone. Now, the DM is back! With the Waza Craft DM-2W, the coveted stomp has been reborn with switchable sound modes and greater versatility for today’s music styles. Using 100-percent analog circuitry, the DM-2W’s Standard mode nails the lush sound and 20-300 ms delay range of the original DM-2. En enclanchant into Custom mode instantly changes the sound character to a cleaner analog tone with over twice the available delay time Special edition Waza Craft pedal delivers the ultimate BOSS tone experience True reproduction of the vintage DM-2 Delay sound Premium all-analog circuit with BBD (bucket brigade) delay line Standard mode for authentic DM-2 tone with 20-300 ms delay time Custom mode provides warm-yet-clear delay sound and maximum 800 ms delay time Expression pedal input for foot control of delay time Two output jacks allow separate output of delay and direct sounds BOSS five-year warranty
Filled with newly developed BOSS technology, the DD-500 is the most powerful and versatile stompbox delay ever created. This incredible sound-creation toolbox offers 12 distinctive delay modes with exceptional audio quality, plus deep editing controls, a graphic display, patch memories, MIDI, and much more. From basic echo to dead-on emulations of classic delays to incredibly lush spatial textures that take your breath away, the DD-500 will launch your music places you never thought possible.
The Obscura Altered Delay from DigiTech allows you to turn your delays upside down and inside out. The Obscura’s four delay types can be darkened, degraded and distorted on the fly with the stacked Tone and Degrade controls. Combine these controls with the Obscura’s Repeat/Hold feature and lose yourself in long, trippy, gurgling repeats or backwards-manipulated sonic mayhem. In addition to its Tone and Degrade controls, the Obscura features independent Level, Delay Mode and stacked Time and Repeats controls. Complimenting those versatile controls, the Obscura offers four excellent-sounding Analog, Tape, Lo-Fi, and Reverse types, Tap Tempo mode with Beat Divisions, Stereo Inputs/Outputs, a Delay Tails On/Off Switch and True Bypass circuitry.With its compact size and vacuum-style footswitch, the Obscura furthers DigiTech’s evolution in pedal design. We’ve put years of experience into every detail of its mechanical and sonic blueprint. The Obscura uses a 9V DC power supply to easily integrate into your existing pedalboard.
The Hotone EKO pedal is a digital delay stompbox with a direct analog signal path that achieves that classic, natural echo tone. The sound is pure, rich, and warm, and you can press the MOD button to get a deeper spacey feeling. Maximum delay time is approximately 500ms.Pure, warm, and natural echo tone--an excellent ambience maker. Digital Delay Line assures enough delay time and a pure signal path. Elaborate analog circuit makes the sound closer to a classic echo tone. Additional MOD push-button gives you even more space!
POCKET-SIZED GIANTS - Renowned TC Delay Sounds in Miniature Form Essentially Flashback We've taken all that you know and love about our TC Electronic delay sounds and poured it into a footprint too good to be true. There's more magic per square inch In Flashback Mini Delay than you'd find in a Smurf. The industry standard, most revered TC Electronic delay tones, plus TonePrint - the greatest innovation to guitar since guitar strings!
Flashback Delay. The sounds, the vibe, TonePrints, the entire package - it was a smash hit that rocked the world. But at TC, we're more about moving things forward and listening to the feedback from the guitar community. And so, when wishes for things like presets and tap-tempo started rolling in, we listened. And boy, did we knock it out of the park.
Tone Garage captures the pure essence of analog in these compact effect units by pairing carefully selected components with a unique design philosophy. The DOUBLE DECA analog delay offers a unique tonal signature from Tone Garage’s all analog circuitry. Main features Discrete circuitry - the result of a relentless design philosophy True bypass design provides tonal confidence even when the effect is off Tough die-cast body that stands up to the rigors of the road A rich variety of analog delay sounds powered by three BBD (Bucket Brigade Device) chips BBD chips utilizing the famous 3205 chip Independent modulation knob also adds a chorus effect
From Jhs: In 2011 we released the Panther Analog Delay. Almost exactly two years later we tried a nearly impossible feat of taking everything we love about the Panther Delay, making a few improvements, and packaging it into a enclosure half the size. We are proud to bring to you the Panther Cub. True Bucket Brigade delay that has the tone and options to cover any style, any use, and any player. The Panther Cub Delay is our most anticipated pedal to date with it’s groundbreaker feature set including “tap tempo control” that lives within an all analog 1000 milliseconds of delay time! The “effects loop” allows you to place any effect or effects chain on the repeats only. We kept the four section “Ratio Control” to give you quarter, dotted eighth, eighth, and triplet divisions. The built in “Modulation” gives you a shimmery Deluxe Memory Man type vibe and works perfectly even with tap in use. The Panther Delay was the first to do this! The internal "Roar" switch gives you two different levels/sensitivity of oscillation and runaway. As the user you have the ability to program an “expression control” to your favorite knob to use it to change settings on the fly! The “Tap In/Out” jack lets you remotely tap in a tempo or slave another tap device for amazing live flexibility. All this and more is powered by a standard 9v supply.
Handmade analog delay. Ideal for spatial ambience and echo type reverb.
Analog Delay with Chorus/Vibrato What is it that makes a performance legend? Experience and design integrity make a legend. Since the early 1970’s, Electro-Harmonix has been designing analog delays featured on some of the greatest recordings and used by legendary musicians throughout the world. From the original Memory Man to the Deluxe Memory Man, still available today, our delays are desired instruments for the organic tones that deliver textures that define quality. The new Memory Boy carries the performance heritage for warm analog delays and modulations that made its ancestors the go to legends that remain today. With two years in design using new and refined, analog IC’s the focus was making the legend affordable to every musician while maintaining the character and artistic sounds that let you stand apart. The new Memory Boy straps on the cape and flies with heritage into the search for amazing sound at a price that mere mortals can afford.
The Way Huge Echo-Puss was designed by delay expert Jeorge Tripps for players who want an organic analog delay pedal that allows them to fine-tune their delay sound with a simple user interface. It serves up 600ms of delay with a pair of gravelly-voiced bucket-brigade chips. Additionally, a fully tweakable LFO modulation circuit allows you to add a liquid texture to the sound of the repeats.
Electro-Harmonix has a reputation for quality delays and the #1 Echo is a prime example. The tone is ultra high quality up to two seconds of maximum warm analog-sounding delay. The feedback control sets number of repeats and how fast they fade. The blend control lets you adjust the balance of echo volume with straight through signal, putting your sound exactly in the pocket you want.
Analog Delay With Modulation. The Memory Toy presents a pure analog delay for musicians who covet thick sound from a thin wallet. EH melds heritage with select components to present the musician with up to 550ms of delay. Not a toy but a professional tool that bathes your axe with organic depth and dimension. The selectable chorus is a lush bonus. No one does analog like EH!