Since 2001, BOSS has led the looping universe with a continuous string of innovative, trendsetting Loop Station products. Currently, five different BOSS loopers serve the needs of all types of musicians, from guitarists and other instrumentalists to traditional vocalists and cutting-edge beatboxers. While the more advanced Loop Stations include an enormous array of creative features to choose from, some musicians like to keep things straightforward and simple. If that sounds like you, the new RC-1 Loop Station is your ideal choice, offering streamlined operation that makes it easier than ever to add looping to your rig.
Your Essential Creative Companion Step up to the RC-5 and prime your pedalboard with maximum looping range. Capture sound with premium 32-bit quality, navigate parameters and monitor loop status with the backlit LCD, and tap into expanded operation via the control jack and TRS MIDI I/O. And with over 50 rhythms, 13 hours of stereo recording, 99 phrase memories, and more, the compact RC-5 puts a deep well of musical power at your feet.
- Advanced BOSS looping features in a compact footprint
- Class-leading sound quality with 32-bit AD/DA and 32-bit floating-point processing
- Stereo looper engine with 13 hours of recording time
- LCD with multi-color backlight for viewing loop status and editing parameters
- Reverse function for infusing loops with interesting textures
- Seven different drum kits and 57 preset rhythms with A/B variations
- Support for expanded control via external footswitches, an expression pedal, or MIDI
- Full MIDI I/O provided with space-saving mini TRS jacks (BMIDI-5-35 adaptor cable available separately)
- Onboard storage for 99 phrase memories
- Back up and load WAV loops via USB
Compact, lightweight pedalboard power supply 5 outputs (4 x 9-volt and 1 switchable 9/18-volt) accommodate a wide range of pedals Fully isolated design eliminates annoying ground loop noise Add an extra pedal to each output with a splitter cable (1 cable included; the rest are sold separately) LED status indicators make troubleshooting a breeze Rugged, road-ready construction
Channel Selector The Switchblade+ offers a convenient solution to a player’s switching needs. Route your signal to either output A or B, or send it to both at once. Connect a tuner or effects pedal to its dedicated Tuner output. With a fully passive audio path and active LED indication, the new Switchblade+ is your utilitarian sidekick.
Fiery sounding and flexible, the Pugilist Distortion is ready to add some heavyweight gain to your rig. This original design features dual gain engines—with independent tone controls for each—letting you select multiple variations of distortion, ensuring this pedal will play well with any rig. Series/Blend switch lets you stack channels for thick, cascading distortion, while the Bass Boost switch fattens up your tone. The Blend control mixes the two channels to get the best of both worlds, crafting a sound just for you. Dual gain engines Discrete tone controls per channel LED backlit knobs Fender Amp Jewel LED Magnetically latched hinged 9V battery door Lightweight durable anodized aluminum construction
The EJ99SC Soprano / Concert Ukulele Set consists of all-nylon strings made from D’Addario’s exclusive Pro-Arté' Carbon strings. This fluorocarbon set is optimized for usage with standard GCEA tuning. Pro-Arté Carbon Ukulele strings are designed for the perfect blend of tone and projection. These fluorocarbon sets are ideal for progressive ukulele players looking for a bright, modern sound. Optimized for Soprano or Concert Ukuleles tuned to standard G-C-E-A tuning Unsurpassed intonation with a bright, modern tone Soprano or Concert Ukulele, Pro-Arté Carbon trebles, Non-Ball End String Gauges: Fluorocarbon .0205, .026, .0319, .0224
A Total Tuning Triumph PolyTune Clip is much more than just a clip-on tuner, it's a revolution! Perfectly combining state of the art tuning technology with an unprecedented attention to aesthetics and functionality, PolyTune Clip gives a tune-up that's unmatched in speed, precision and grace. Not only is PolyTune Clip the best PolyTune we've ever made - we believe it's the best tuner by any measure. The Holy Tuning Trinity PolyTune Clip is designed to be your trusty tuning companion, whether you're going for a quick onstage tune-up or an ultra-precise setup of your instrument. PolyTune Clip sports three distinct tuning modes ranging from the game-changing polyphonic tuning mode that lets you tune all 6 strings at once, to your trusty chromatic tuner and all the way to an ultra-precise strobe tuner mode, which offers +/-0.02 cents of tuning precision. No matter what method you choose to use, the tuning trinity of PolyTune Clip will always guide you to pitch perfection.
With 9 presets that were finely tuned to emulate the most legendary organs from the ‘60s and beyond, the B9 Organ Machine will transform your guitar or keyboard. Control the instrument’s signature percussive click and sweet modulation. Blend your dry signal to create lush layers. Enough tonewheel and combo organ inspiration to light your fire and cook up some green onions!
There’s a lot of hype out there these days with overdrive pedals and the last thing we want to do is to add to the noise. As you may already know, almost every boutique overdrive on the market is a modified Tubescreamer of some sort, we have decided to take a different approach. The Morning Glory is a very transparent tone-shaping tool that is the result of several years of building, gigging, tweaking and improving on the original Marshal Bluesbreaker design. We improved vastly on the BB while maintaining what made it a great pedal in the first place. It now has 5X more headroom! 2X the available gain and a more useful tone control. The new “Bright Cut” toggle allows the perfect level of EQ for your rig. You will notice immediately how touch sensitive and dynamic the feel of this pedal is. The frequencies are perfectly balanced and the tone knob reacts as a high frequency roll off. The drive allows you a huge range of tones from “little wing-ish” chime to classic rock era bite. If you’re a Strat player, this pedal will bring you sounds that you may have thought impossible and if you like the Les Paul, get ready to discover a new pallet of sounds that you want be able to live without. With enough clean headroom to be used as a boost as well as a hefty amount of drive, this may be your go-to pedal, for good.
From JHS: The Sweet Tea V3 is our "Everything Medium-to-High gain 2-in-1” and it covers all the bases from light breakup, blues, rock, heavy grind and more. The Sweet Tea V3 is for anyone who wants a versatile overdrive/distortion that covers all the bases you need plus more. You’ll find medium-to-high gain tones and the ability to stack for the perfect way to melt faces. The right side is our brand new Moonshine V2 which is a highly unique and massively tweaked version of the most famous overdrive ever created housed in a little green enclosure. The Moonshine V2 has the classic mid-heavy tones that you’d expect but with more gain, volume, and tones available than you ever thought possible. The Moonshine V2 has the same core tone as the Moonshine Version 1 but we have added a new “Clean” knob to blend in the perfect amount of clean signal with your overdrive signal. On the left side is our newest version of the Angry Charlie which is the Angry Charlie V3, one of our most popular pedals of the last few years. High gain JCM 800 type “Brown” sound tone that we believe is the most accurate Marshall tone ever put in a stomp box! It has volume, drive, and the full bass, mid, treble tone stack like you’d find on the amp. With the full tone stack and the amazingly accurate amp tones in this circuit you’ll be begging for more! The Sweet Tea V3 features our classic order switching toggle so that you can choose which circuit is first in the chain for the perfect stacking tones you’ve been searching for. With these tones combined or used separately, the Sweet Tea V3 is a gallon-and-a-half of overdrive that goes down easy on a summer night!
Features Advanced vocal multi-effects stompbox for singing guitarists Automatic vocal harmony/pitch correction powered by newly enhanced BOSS algorithms for natural sound with smooth tracking Class-leading sound quality and high-powered BOSS DSP engine for processing vocals with up to nine effects at once Extensive selection of effects specially tuned for vocals; Enhance section for shaping core tone, plus reverb, delay, modulation, distortion, EQ, filter, and many other types for further processing Versatile and creative vocoder effect for generating electronic voice and talk box sounds based on guitar input Flexible effect routing options for processing live and harmonized vocals together or separately Dedicated looper XLR mic input with adjustable sensitivity and available phantom power Guitar input for harmony, pitch, and vocoder processing; Thru output for sending unprocessed signal to guitar pedals Stereo XLR outputs for sending vocal sounds to a PA mixer or recorder Three assignable footswitches for real-time performance control, plus support for up to two external footswitches or an expression pedal 99 user memories for storing patch setups Three assignable knobs for quick access to essential parameters while performing MIDI input and USB-MIDI for guiding harmony/pitch engine from an external MIDI keyboard or DAW backing tracks Editor/librarian software (Mac/Windows) for sound editing and patch management via USB
Next-Generation Polyphonic Octave Pedal with Monophonic Octaver and Built-In TonePrint Technology Next-generation octave pedal offers flawless polyphonic tracking, a monophonic octaver and built-in TonePrint technology Advanced polyphonic octave engine gives you lightning-fast note tracking and impeccable octave tones Cool monophonic octaver replicates that classic old-school octave pedal flavor TonePrint-enabled to let you beam cool signature tones into your pedal with the free TonePrint App Design your own customized effects from scratch with free TonePrint Editor for PC, Mac* and iPad* True bypass allows for optimum clarity and zero high-end loss when the pedal is off Optional buffered bypass mode prevents high frequency loss from long cable runs Kill-Dry feature removes the dry signal path for use with parallel effects loops PA-rattling Sub 2 control knob brings in a signal 2 octaves below your original tone for powerful impact Simple, easy-to-use controls let you focus on playing Compact format fits on any pedal board High-quality components to give you flawless octave tones in a pedal format
The Supro Drive pedal sports a simple control layout with Volume, Gain and Tone knobs as well as a toggle switch to select between the different windings of our custom, multi-tapped output transformer—either for high-headroom BOLD sounds, or more compressed, high-gain RICH tones. Taking the overdrive pedal platform one step further, the Supro Drive offers a TRS port for expression pedal control of the GAIN knob. With the expression pedal in use, the on-board GAIN knob sets the maximum value, while a user-adjustable, internal trimmer sets the minimum gain setting. All Supro pedals are assembled in Port Jefferson, NY, USA, featuring custom-tooled, anodized, brushed-aluminum enclosures, 9V battery or DC powered operation, rear-mounted metal jacks, easy-access side-mounted battery drawer and studio-friendly, noiseless (click-free) true-bypass switching. Emulates a Class-A Supro amp from end to end. Achieves magnetic saturation via output transformer Switchable RICH or BOLD transformer windings selection Expression pedal control for GAIN
Reverb is an essential element in nearly any rig. Whether you’re adding dimension to your sound or drenching your signal in sparkling reflections, our Marine Layer Reverb can do it all. Multiple reverb types, including classics like Hall and Room along with modern marvels like Shimmer, make this an indispensable pedal in your signal chain. The reverb tails continue when the effect is muted, ensuring a smooth and natural decay. Hall, Room and Shimmer reverb types Reverb tails continue when effect is muted LED backlit knobs Fender Amp Jewel LED Magnetically latched hinged 9V battery door Lightweight durable anodized aluminum construction
The Flatiron Fuzz is a classic op-amp powered fuzz/distortion. With its late ‘70s style circuit and symmetrical hard clipping, it’s EHX’s take on the RAT2™ pedal, only we think it’s better. The Flatiron Fuzz is extremely versatile. At lower drive settings it remains fairly clean and adds a pleasing mild distortion. As the drive is turned up it transports you to a world of arena rock and produces spectacular, thick, meaty tones. - Classic op-amp powered fuzz/distortion - Delivers symmetrical hard clipping - As you turn down your guitar volume, it cleans up, but not all the way - Unique Filter control - Compact, pedalboard friendly design - Features True Bypass for maximum signal path integrity in bypass mode - 9-Volt battery included, also accepts optional EHX 9.6VDC-200mA power supply - Current Draw: 5mA @ 9VDC - Dimensions in inches: 2.75(w) x 4.5(l) x 2(h) - Dimensions in mm: 70(w) x 115(l) x 51(h)
The EHX Bass Mono Synth transforms your bass into eleven great sounding synthesizers... from vintage synth emulations to thick, stacked voices to deep pulsing sounds and more. Features eleven great sounding, mono synth sounds - Easy to use controls let you dial in the sound you want quickly - EXP pedal input for real-time expressive control with your foot - Create, save and recall eleven user presets, one for each of the eleven synth sounds - EHX 9.6VDC-200mA power supply included - Current Draw: 125mA @ 9VDC - Dimensions in inches: 4.0(w) x 4.75(l) x 2.25(h) - Dimensions in mm: 102(w) x 121(l) x 58(h)
The new passive DOD Mini Expression Pedal is just the right size for your pedal board, and your wallet. Rugged all-steel construction and gear drive means that there are no strings to break. Despite its compact form factor it is designed to have the same feel and throw as pedals that are twice its size (and price). Features Gear Drive for reliable performance 3-position multi resistance for wide range of compatibility Linear 25kΩ/10kΩ potentiometer Ultra Compact size has same footprint as most pedals Specifications Dimensions 5.00” (L) x 3” (W) x 2.40” (H) / 127mm (L) x 76mm (W) x 61mm (H) Weight ~1.1 lbs. / 0.5 kgs. Output (1) ¼” TRS/TS Instrument Chassis All Metal
Now in an MXR mini housing, the Classic 108 Fuzz gives you all the same vintage fuzz tones in a much smaller footprint. Like its larger predecessor, it’s loaded with the silicon BC-108 transistor for a round and dirty crunch. This Classic 108 Fuzz also has the same no-nonsense control interface—just crank the Volume and Fuzz controls to your liking and start riffing. Use the Buffer switch on the side to make the fuzz play nice with wah pedals. Packs vintage fuzz tones into a pedalboard-friendly MXR mini housing Silicon BC-108 transistor yields a round, dirty crunch reminiscent of a classic Fuzz Face No-nonsense interface with easy-to-dial-in Output and Fuzz knobs Buffer switch eliminates the high-frequency suck and oscillation caused by some wah pedals True bypass switching keeps your tone intact when the pedal isn't in use
Are you on the search for scary good tone? Does your spine tingle at the thought of a tone that can cut through any mix like a butcher’s knife? Do you have nightmares about muddy guitars that lack clarity and create phantom lead lines that no one can hear? Well, don’t stand there frozen by fear, we here at JHS Pedals have a pedal that gives you the tone that has long eluded your white knuckled grasp: the Haunting Mids. The Haunting Mids is a frightfully effective Sweepable-Mids EQ Preamp that can turn any amp or pedal into a ghastly monster. With it’s ability to sweep mids and then boost or scoop them, you can find the tone that haunts your imagination. The controls on the Haunting Mids are Volume, Mids, Sweep, and a Lo/Hi toggle. The Volume acts as a standard volume control to be able to set at unison or boost the signal. The Mids and Sweep controls work very closely together so you can find the perfect frequencies to boost or scoop mid frequencies. When the Mids knob is at 12 o'clock, no frequencies are boosted or scooped. Turning the Mids knob to the left of 12 o'clock will begin to scoop out midrange frequencies, while turning the Mids knob to the right of 12 o'clock will begin to boost midrange frequencies. The Sweep knob controls the what frequencies will be affected. Sweep knob to the left will cause low-mids to be affected, while Sweep knob to the right will cause hi-mids to be affected. The Lo/Hi toggle is like a "Q" function and controls how sharp the frequency peak is that you’re affecting with the Mids knob. "Lo" is a softer and wider peak for slightly subtler affect as you tweak the Mids/Sweep knobs. "Hi" is a sharper and steeper peak giving you a very pointed and defined effect as you tweak the Mids/Sweep knobs. This pedal is fantastic on an almost-breaking-up amp to send it into midrange tube driven heaven, or with an overly scooped distortion to give you the bite you need to cut through with every "djent," blues lick, rock riff, or lead line. It's also excellent for taming an overly mid-heavy amp or pedal rig. The Haunting Mids is not an overdrive pedal, it’s a Mids pedal that when paired with an overdrive, will make you scream for more of this friendly ghost. – Simple yet effective tool to boost/cut the perfect amount of midrange frequencies. – Sweepable midrange frequency to find the perfect EQ to slice through any mix. – Turn any amp or pedal into a totally different ghastly monster. – Don’t forget the Volume BOOOOOOst. So go and wake the undead with the ghostly sounds of the Haunting Mids! SPECS - Will boost +10dB with EQ flat - Total Harmonic Distortion 0.007% - Signal to noise ration 83dB - +/- 15dB boost or cut - Sweepable center frequency from 400Hz to 7.5kHz - Switchable Q (LO-gentle broad, HI-peaking tight) This pedal requires standard 9V DC Negative power, consumes 13mA, and measures 2.6"x4.8"x1.6"
Translucent Drive Manipulator Westwood is a touch sensitive translucent overdrive manipulator as clean and pure as the breeze which blows through a grove of Douglas Fir trees, and as hot as a damn fine cup of coffee. This mild-mannered light- to medium-gain overdrive with active EQ controls will still knock the socks right off your trusty low-wattage combo amp, pushing it into anything from cutting, edge-of-breakup rhythm tones, all the way to articulate, singing lead tones stacked high with pleasing even-order harmonics and sweet, sweet sustain. And if you pair it up with your favorite head and cab, you should probably call the neighbors first, because the Westwood’s Level control has enough output on tap to alert the proper authorities. Even the FBI. Each and every Westwood is a real Blue Rose case, hand built by a team of special agents in the Black Lodge of Akron, Ohio, USA, where the owls are not what they seem, there’s always music in the air, and the birds sing a pretty song.